The Scarlet Letter (Signet Classics)
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Product Description This tragic novel of sin and redemption is Hawthorne's masterpiece of American fiction. An ardent young woman, her cowardly lover, and her aging vengeful husband—these are the central characters in this stark drama of the conflict between passion and convention in the harsh world of seventeenth-century Boston. Tremendously moving and rich in psychological insight, this dramatic depiction of the struggle between mind and heart illuminates Hawthorne's concern with our Puritan past and its influence on American life. With an Introduction by Brenda Wineapple and an Afterword by Regina Barreca This edition includes an early Hawthorne story that contains the germ of The Scarlet Letter. Review "[Nathaniel Hawthorne] recaptured, for his New England, the essence of Greek tragedy." --Malcolm Cowley About the Author Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachusetts, the son and grandson of proud New England seafarers. He lived in genteel poverty with his widowed mother and two young sisters in a house filled with Puritan ideals and family pride in a prosperous past. His boyhood was, in most respects, pleasant and normal. In 1825 he was graduated from Bowdoin College, Brunswick, Maine, and he returned to Salem determined to become a writer of short stories. For the next twelve years he was plagued with unhappiness and self-doubts as he struggled to master his craft. He finally secured some small measure of success with the publication of his Twice-Told Tales (1837). His marriage to Sophia Peabody in 1842 was a happy one. The Scarlet Letter (1850), which brought him immediate recognition, was followed by The House of the Seven Gables (1851). After serving four years as the American Consul in Liverpool, England, he traveled in Italy; he returned home to Massachusetts in 1860. Depressed, weary of writing, and failing in health, he died on May 19, 1864, at Plymouth, New Hampshire. Brenda Wineapple was formerly the Washington Irving Professor of Modern Literary and Historical Studies at Union College and now teaches in the MFA programs at Columbia University and The New School. Her books include White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson, Hawthorne: A Life (winner of the Ambassador Award of the English-Speaking Union for Best Biography of 2003), Sister Brother: Gertrude & Leo Stein, and Genêt: A Biography of Janet Flanner. Regina Barreca, a professor of English and Feminist Theory at the Unniversity of Connecticut, is the editor of the influential journal LIT: Literature, Interpretation, Theory. Among her many books are They Used to Call Me Snow White...But I Drifted, a widely acclaimed study of women's humor, and Perfect Husbands (& Other Fairy Tales). She is also the editor of the Penguin Book of Women's Humor. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1The Prison-DoorA throng of bearded men, in sad-colored garments, and gray, steeple-crowned hats, intermixed with women, some wearing hoods and others bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak, and studded with iron spikes. The founders of a new colony, whatever Utopia of human virtue and happiness they might originally project, have invariably recognized it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison. In accordance with this rule, it may safely be assumed that the forefathers of Boston had built the first prison-house somewhere in the vicinity of Cornhill, almost as seasonably as they marked out the first burial-ground, on Isaac Johnson's lot, and round about his grave, which subsequently became the nucleus of all the congregated sepulchres in the old churchyard of King's Chapel. Certain it is, that, some fifteen or twenty years after the settlement of the town, the wooden jail was already marked with weather-stains a